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© 2002-2008SalsaIsGood All Rights Reserved. |
The Art of learning, memorising, composing & improvising Salsa Turn Patterns
Designed by SalsaIsGood & Thea Shavlakadze |
The Salsa Dictionary
Information contained in the Salsa Dictionary:
- Names of basic salsa elements, which include Hand holds, Directions,
Actions and Positions;
• A written description of each element;
• A visual example, which allows you to view each element;
• A symbol (or code) for each element taken from our Salsa Language.
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Term |
Definition |
Symbol |
Thumbnail |
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Dancers are facing each other: the man positions his right hand on the lady's left shoulder blade and holds her right with his left with his arm bent. The lady places her left hand on the man's right shoulder. |
N |
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| Normal open holds | Dancers hold left to right and/or right to left. Variations. |
N
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Dancers hold left to left and/or right to right. Variations. |
C |
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Directions | ||
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Term |
Definition |
Symbol |
Thumbnail |
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Both dancers are positioned facing the line of dance. The dancers can face each other, face the same direction or face the opposite directions from each other. Variations. Variations of the 'directions', where the man and the lady are facing the line of dance and one of the dancers is positioned behind the other are also called shadow positions. |
→ ← |
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Both dancers are positioned facing perpendicular to the line of dance. Such positioning of the dancers with respect to the line of dance is also called butterfly position. Variations. |
↑ |
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Term |
Definition |
Symbol |
Thumbnail |
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Swapping from a normal hold to a crossed hold or vice versa. |
X Hands |
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Swapping places by walking to the opposite side. |
X Directions |
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The man normally leads the lady across to the opposite side: from his right side to his left. Variations. |
XBL |
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There are many variations of turns for men and ladies. Turns can be broadly classified according to the direction (right or left) and the number of turns (1/2, 1, 1½, 2, 2 1/2 , 3 etc.). Turns can be executed with partners holding each other or in NO hold (free turns). Variations. |
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The man or the lady duck down and normally pass under the arm. |
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| Check | Checks are executed by the man and involve the man stopping the lady midway through a move (e.g. a turn). Variations. |
! |
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| Comb | Combs are executed by the the man and involve the man bringing the lady's hand over her or his own head. Variations. |
E |
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| Copa or 'In and Out' | Copa is an action of bringing the lady in and leading her out. This action is called 'Copa' or 'In and Out' in salsa. Variations. |
Copa |
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| Hand drop | The man drops the lady's hand and normally catches it with the same or the other hand. |
Drop |
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| Hand throw | The man throws the lady's hand up. The lady'’s hand goes up and then falls down. |
Throw |
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| Natural top | The dancers break, come back together into a normal closed hold and execute a full right turn. Typically, the turn ends up with another break. |
Top |
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| Walks | One of the dancers walks on a straight line or walks around his/her partner. Variations. |
Walk |
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Term |
Definition |
Symbol |
Thumbnail |
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Hammerlocks are positions where the dancers hold each other with both hands with either the man or the lady having one arm bent behind self (broken arm), while holding the hand of the partner. Variations. |
HL |
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| Half hammerlock or Broken arm | Half hammerlocks are very similar to the hammerlock positions; the only difference is that only the bent arm is held. Variations. |
HL
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Embraces are positions where one of the dancers has both hands crossed behind or in front of self while holding both hands of the partner. Variations. |
Embrace |
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Arm lock or Arm hook |
Dancers are facing each other and the lady's arm(s) are hooked behind the man's shoulder(s). Variations. |
Lock |
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Dancers are facing each other and the man has his arm looped on
the lady's shoulders. The Arm |
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Dancers are facing the same direction with the lady positioned on the right or on the left side of the man. Both hands are connected in a crossed hold and rest on the shoulders of the dancers. Variations. |
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